Two More Quilt Tops Quilted and Bound

I've quilted two more of the many quilt tops waiting patiently to be quilted.

The first quilt, made from an American Jane pattern called See Saw. It can be made from a jelly roll, although I used a fat-eighth pack for the main fabric in each block and a jelly roll for the centers.

I chose a simple edge-to-edge motif for the quilting.

I'm not sure who the lucky recipient will be, but with lots of grand nieces and nephews who have outgrown their baby quilt, I'm thinking it's time to start gifting them with a twin-size quilt. (Edited to add: I ended up giving this to a nephew's daughter, Eva, when she turned eight and was baptized.)

I definitely know who the next quilt is for -- ME! It matches my living room furniture perfectly.

This fabric is Basic Gray's second Little Black Dress line for Moda. I loved using this fabric because it was designed by my cousin's daughter, Rachel, who owns Basic Gray.

Time to get another quilt on the frame. No time this week and traveling for work the beginning of next week. But having quilted seven quilts in the last month or so, I'm making good progress.

Update on the reunion quilts: They each garnered $400 towards the family fund for maintaining our grandparents' homestead property. Yay!

Quilting Catch-Up

After quilting three reunion quilts (see previous post), I was feeling good about my successes with quilting edge-to-edge designs with HQ Pro-Stitcher, the computerized quilting robotics that works with my HQ Avante.

Until now, it seemed like I had some major blooper (usually user error) with each quilt. But with more than a dozen quilts under my belt, I had figured out most of the tweaks I need to do to quilt without issues.

I've learned that I prefer Omni thread from Superior Threads for my top thread. It's 40-weight thread that is nice and strong, and shows up well when quilted. I've also found that I prefer So Fine (also from Superior Threads) in the bobbin. It's a slightly thinner thread (50-weight).

I also have the most success with my needle (size 18 rather than 16) rotated slightly to the 5:30 position. And, if I stitch at a speed just a bit slower than the HQ Avante's middle speed, I get the precision I like and no thread breaks or shredding. I've now finished four quilts with no thread breaks. Yay!

So, with my new-found confidence in computerized machine quilting, I've been finishing lots of quilts from my to-do pile.

The first quilt was from a class I took from Amy Smart at January's Winter Quiltfest. Easy quilt -- I could have made it without the pattern or class -- but I enjoy taking classes in hopes that I'll learn something new (even after several decades of making quilts). My Pfaff machine that I take to classes was acting finicky, so I did most of the piecing at home on my Baby Lock, which is too heavy to take to classes. And, ta da! It's done! (But can I just say how much I hate assembling on-point settings? I love they way they look, but don't like putting them together.)

So, I started looking for a quilt top for which I already had backing. (It's been an expensive month due to getting a new water heater and some costly car repairs, so I didn't want to buy backing if I didn't have to.) I decided on a quilt made from a Moda Bonnie and Camille line called April Showers.

I saw the block online and drafted it in Electric Quilt. I quilted it using an umbrella motif designed by Nancy Haacke, Wasatch Quilting.

It will be the perfect quilt for the next great niece born to one of my nieces or nieces-in-law. (Edited to add: I ended up giving it to Hadley (great niece) when she got baptized.)

I've since quilted two more quilts that have been waiting to be finished. They are with my mom, who thankfully hand-stitches down my binding. I'll share them when I get the quilts back from her. (Thanks Mom!)

All in all, it's been a productive past few weeks. Seven quilts quilted and bound!

Family Reunion Quilts

My mom's family has an annual family reunion at the farm/homestead property that had belonged to my grandparents. Their descendants now own the property in a very small town in southeastern Idaho named Oxford.

Photo of Grandpa Fisher's dairy barn -- complete with a barn quilt

Technically Oxford is a "living ghost town" because fewer than 50 people live there. The official count from the 2010 census was 48. When we have our reunion we literally quadruple the population because there are typically more than 150 people who attend -- including the first generation (my mom and her siblings), my generation (including my 40 cousins and their spouses), their children (great-grandchildren to my grandparents), and now their children's children (my grandparents' great-great grandchildren). I would guess that if everyone were able to attend, we would have close to 300 people in attendance.

To raise money to pay the property taxes and maintain the property, we need to do fund raisers at our reunion. I decided to make a quilt to contribute to a silent auction.

My grandmother was a quilter and I blogged about one of her quilts here. It's no coincidence, therefore, that many of her granddaughters and great-granddaughters are also quilters. So I invited them to donate blocks for the quilt -- which turned out to be three quilts!

I asked the contributors to use traditional fabrics and make a traditional block that would finish 12 inches. One cousin was especially energetic and she made nine blocks -- all with the same block pattern. Although I expected the finished quilts would be sampler-style quilts, since she did multiples of the same block, I made three more so I'd have 12 blocks for the quilt. Of course, the blocks are scrappy, so here's the scrappy setting I came up with for the first quilt.

I'm hoping that since my cousin made most of the blocks, that she'll strive to be the high bidder for this quilt!

For the next quilt I was able to cherry-pick the blocks that I felt worked well together. For the setting, I created a pieced sashing with pieced 9-patch cornerstones.

For the third quilt, I was left with blocks that had very little in common with each other. One cousin sent three blocks that shared some common fabrics, They went well with each other, but not necessarily with the other contributed blocks. My challenge was to unify the blocks in a pleasing way. Here was my solution:

The result was a very nontraditional approach to the quilt setting. Although the donated blocks were great, I felt that I almost needed to create something that downplayed the blocks. The striped alternate blocks did that well. I think this is almost my favorite of the three quilts. I especially love the backing and the scrappy binding.

Here's hoping the quilts garner several hundred dollars towards the funds necessary to maintain my grandparents' property.