Saturday, February 13, 2010

Olympics Opening Ceremonies Projects

I appliqued two more heart blocks as the Olympics got started, but switched to cross stitching after the athletes had entered the stadium.  I decided to work on a project that I began quite a while ago, but that takes a lot of  concentration because the design is all worked in one color and until it's completed, you can't tell what it is.

The design is a middle-ages letter "N" by M Designs. It can be worked the way I did it -- with the letter design actually the "negative space" of the fabric, or the letter itself can be stitched as usual. Since this overdyed fabric was so interesting, I decided to have the fabric be the letter.

Here's a picture of the sample as stitched by M  Designs. It was stitched with light floss on blue fabric. If I were to start over, I would have picked a fabric/floss combination with higher contrast, but too late for that.


The floss I'm using is a Thread Gatherer Silk 'n' Colors hand-dyed silk called Autumn Frost.



The floss is so luscious and the change in color as you stitch is what makes this design work.

Busy day today, but hope to get some sewing time in to keep working on the heart quilt.

Friday, February 12, 2010

ForgottenTreasures

I was going through a wicker basket of craft and stitching supplies and  found these forgotten treasures  -- Japanese silk floss.


Based on the colors I selected, I probably bought these in the 80s since I was seriously into mauve! I don't remember whether I bought them with a particular project in mind, but in the 25 or so years since I splurged on these threads, I'm sure I wouldn't want to stitch that same project now.  So, I'll have to get creative and design something that will be suitable for these intriguing threads. Or dig out a Shepherd's Bush design that uses this palette. They have a lovely sheen and the end result would be gorgeous.

I did an internet search to see whether I could find anything about them.  They are known as Kanagawa 1000 Dernier silk thread and are still available in a variety of colors.

I wonder what other treasures I might find if I totally cleaned out my sewing room??

Thursday, February 11, 2010

Which of these is not like the others?


One of these blocks -- the upper right block -- was hand appliqued via needleturn a couple years ago. But the other three I did via machine applique this evening. I was able to do these three blocks in the time that it took to do the original one. Even though Kim Diehl recommends using the smoke monofilament thread on dark fabrics, I was too lazy to re-thread my machine and used the translucent clear on each piece.  I couldn't tell any difference from using the smoke. I'm loving this technique!

I thought this would be a good project for Valentine's / President's Day / Olympics weekend. Six more blocks to do the hearts and then there is some embellishment on each one. The blocks finish about 12 inches wide by 16 inches high.  The design is called "Heart to Heart" and is by Laurie Bird, Rose Cottage Design. Laurie also designs fabrics for Windham, as does her sister Michelle Blackhurst.

I so want to start a new quilt, but I told myself that I need to finish one of my WIPs (aka UFOs) for every new quilt I start. I decided that sewing several Dear Jane blocks would count as well so I will keep that quilt moving. (I just can't drop everything else to focus just on Dear Jane.) I'll get this one done, maybe a few DJ blocks, and then who knows what fun project I'll start.

Bye for now.

Machine Appliqué the Kim Diehl Way

After three 8-hour classes with Kim and completing  my first quilt using her method, I thought I’d note some of the tips and tricks that she shared during the classes, as well as some things I learned around the way.

First of all, the instructions Kim includes in her books are very thorough, easy to follow and consistent with what she teaches. However, as is typical in any class, she provided additional tips in response to questions and problems that class members ran into.

Preparing the Pieces to be Appliquéd
Kim uses a Rowenta travel iron to press the seam allowances to the waxy side of freezer paper.  The tip of your iron needs to come to a point rather than be too rounded. I used a Clover mini-iron which also worked fine, however because it is lightweight, I needed to put a lot more pressure on the piece than Kim did with her travel iron. After working for about an hour with Clover mini-iron, my hand was cramping up. You need to hold it just right to give enough pressure AND to avoid touching the hot area of the iron (which is the entire metal area, not just the pressing tip). Since I have not been a fan of Rowenta irons,  I picked up a less  expensive Black & Decker travel iron, similar to one someone had in class, that Kim said was a good one because of its shape and weight.

I was using my June Tailor Quilter’s Press surface (first photo below) to prepare my appliqué pieces, but  Kim indicated that a stiffer pressing surface would be better. I used her Omnigrid Fold-away Cutting Station (second photo) and it did work much better.



 
I wish I had done a Flip video recording of Kim demonstrating how she uses the flat of her finger to pull the seam allowance fabric over the freezer paper with her left hand and then immediately sweeps the iron tip over the fabric as she moves her finger away. She can do a small circle piece in about 30 seconds. I’ve gotten better with practice, but I still have a long way to go.

Even for those who want to hand appliqué the project, Kim’s technique for using freezer paper to prepare the pieces is great because you simply glue to the background and stitch away. The stitching goes very quickly because you don’t need to take time while stitching to turn the seam allowance under. And the results are very precise.

Glue Sticks and Basting Glue
You’ll need two types of glue for the method – an acid-free, water soluble glue stick and a liquid basting glue. Kim prefers Quilter’s Choice basting glue over Roxanne’s Glue Baste-it because the plastic tip doesn’t clog like the thin metal tip used on Roxanne’s. You’ll use the glue stick (as little as needed) to attach the paper side of freezer paper to the wrong side of the fabric, and you’ll use the basting glue to attach the appliqué piece to the background (adding tiny glue dots on the seam allowance only).

Monofilament Thread
Depending on the color and value of the piece to be appliquéd, you’ll use either smoke or light monofilament thread. You can find the thread in nylon or polyester. If I recall correctly, Kim indicated that the nylon is more stretchy and a bit more temperamental. But that’s what I had, so I used it. The other big caution is that the thread can melt, so you need to be careful while pressing after sewing the appliqué pieces to the quilt.

My Pfaff needle-threader works fine with the monofilament, but the Baby Lock is automatic and sometimes it doesn't thread the needle with the monofilament. The trick to threading by hand is to put a small piece of white paper behind the needle and you can see the eye of the needle much easier.

Determining the Best Sewing Machine Settings
You need to do bunch of tests with your machine to decide what the best stitch length/width and upper tension should be set at. I used my Pfaff Tiptronic 2040 in class and found that a tension of 1 and stitch length and width of 1 or 2 both worked find. I ended up using stitch size 2 because it allowed me to sew faster than size 1 which is doing so many stitches that it was taking too long for my impatient nature.  For my Baby Lock Espire, I use a stitch length of 1.2 mm, width of 1.5 mm, and a tension of 1.8. The nice thing about my Espire is that I can save these settings and call them up with the touch of a button.

The other big reason to test your machine is to determine whether it starts the zigzag stitch to the left or to the right. If your machine has a locking stitch, you should use it at the beginning and the end because that not only locks the threads, but it also resets the zigzag to begin again in its default position.

Using an open-toe pressure foot also makes a big difference because you can see where the needle is sewing. Kim suggests just watching where the needle pierces the background fabric (which will be right next to the folded edge of the appliqué piece) and don’t bother looking at the other side of the zigzag. You can trust that your sewing machine is doing what it’s supposed to do.

That’s all for today. I’ll add more tips as I remember them.


Wednesday, February 10, 2010

Bittersweet Briar -- "Finished is better than perfect."

Last night I finished machine appliqueing the yellow berries, and tonight I finished the borders and appliqueing the circles in the border. So, this project from a class from Kim Diehl is now ready to quilt -- that is, after I pick out  backing fabric.  Because it is appliqued with monofilament thread, I have to be very careful when ironing. So I haven't done a final press of the quilt. I'll do that just before taking to be machine quilted.


I don't remember who I heard say "finished is better than perfect", but this quilt is the epitome of that statement. I used this quilt to learn Kim Diehl's machine applique technique and chose fabrics out of my stash, and for the border circles, the blossoms, and the spear-like petals on the large red petals I just used scraps.

But it's done, and while it isn't perfect, I learned what I needed to learn -- and I'm happy with both the learning process and the end result.

On another topic, I had a bit of a scare this evening...

It started yesterday when my downstairs carbon monoxide detector started to beep every 30 seconds or so. I figured it was a fluke because the main floor detector wasn't beeping. So I unplugged it and that was that. Then this evening the upstairs detector started to beep -- which made me wonder if indeed I had a carbon monoxide problem. My parents brought one of their detectors over and no beeps. But I called the gas company anyway and they dispatched a technician. I opened some windows and doors for fresh air just in case. In the meantime, my father went to the hardware store and bought a new CO detector  -- and, of course, it didn't beep. The tech tested my furnace, water heater and two gas fireplaces -- and no CO leaks. Turns out that both of my carbon monoxide detectors conked out a day apart from each other. Strange coincidence -- but at  least no real problem with carbon monoxide.

Tuesday, February 9, 2010

The Next Wedding Quilt

I found out the third of my five nieces is getting married in June. So, that means getting a quilt completed to give to her. This is the quilt I've had in progress for several years -- it only needs its final border.  I love it so much it will be hard to part with.  But I'm sure she will love it as well.

The quilt was so fun to make. It is flannel, and even though you can only see some of the blocks, it is five blocks high by four blocks wide.  The difficulty was only finding the great red flannels for the hearts. The design was in a Fons and Porter Love of Quilting magazine several years ago. 




Monday, February 8, 2010

Stitching on 40-count fabric

What was I thinking? A couple years ago I saw a few projects stitched on 40-count fabric and decided I needed to do some myself. Lovely? Definitely. But proceed at your own risk! You definitely need good light and good eyes (or perhaps some MagEyes to help you see the tiny little holes). Oh, and you also need extra thin needles (I'm using size 28) because you stitch with only one strand of  floss.

This is the project I dug out, thinking I would work on it during the Super Bowl. It would be easy to fill in the bunny without having to refer to a chart, right?

 
Well, my MagEyes are with a project at my cabin (2 hours away). I ended up watching the Super Bowl in my brother's comfy (but dark) home theater room -- and even with my portable LED light (shown in this post), it was too taxing on my aging eyes. So I didn't get much stitching done. I ended up working on a different project (on 28-count fabric), but I probably picked out just as many stitches as I made because I had a hard time keeping my place on the chart in the dark.

This primitive bunny design is one of two projects by "Hands To Work" that I want to do (the companion piece, "Be Not Weary" isn't started yet). They are stitched with needlepoint silk (one strand over two threads) so the finished stitching is so soft.

I took a quick look at my stitching fabric stash and have 6 pieces of 40-count and 2 pieces of 38-count linen. Guess I better get busy!

Sunday, February 7, 2010

Cross Stitching Tips and Tricks

A while back, someone asked me tips and tricks I would recommend to a new cross stitcher. I can’t remember everything I suggested, but these are some of the tips I remember.

1. Don’t cut your floss too long. A 16- to 18-inch length is perfect. It won’t get too tangled, but you won’t be rethreading needles too often either.

2. Separate the length of floss into individual threads. The popular cotton flosses from DMC, Weeks Dye Works, Sampler Threads and Crescent Colors are 6-ply threads. If I am stitching on fabrics that are 14-count or 28-count (over two), or a tighter weave, I separate into 6 strands and then reassemble into 3 2-strand sets. If I am stitching on fabrics with a looser weave, I reassemble into 2 3-strand sets.

3. Straighten the floss by dampening it. As part of the separating step, I also dampen the floss and pull it straight to get rid of any kinks or twists. As I separate the strands, I lay them out flat and by the time I begin to reassemble them they are dry.

I used to dampen the floss by putting on a washcloth and lightly spraying with water from a clean travel-size spray bottle. But several years ago I discovered a cool little plastic rectangular box with a sponge in it. You get the sponge wet, simply pull the 6-strand length of floss across the top – and voila, it’s damp but not too wet. The plastic box has a lid, so the sponge stays damp.



During the 10 or so years I’ve had this little gizmo, I’ve had to replace the sponge a few times. I just cut a piece to fit from a new household sponge and I’m good to go. I’ve tried to find another one, but even after searching dozens of on-line stitching shops, I’ve had no success. I hope mine never breaks because it is so handy.

4. Make your stitches consistent. In other words, make sure the top “cross” stitches all go in the same direction. I typically begin a stitch from upper left down to lower right, and complete it from upper right to lower left.

5. Complete one stitch at a time if you are using an overdyed, variegated floss. This makes the subtle color changes more visible in your stitching. However, if you’re using solid-color floss, you can do the first part of the stitch for an entire row and then go back and do the top cross stitch. If you have a large area to fill in, this makes a lovelier finish because the floss lies more evenly and flat.

6. Use a hoop. My preference is a spring hoop, but a tension screw-hoop will work fine. You can certainly stitch without a hoop, but I think the stitching turns out neater if you use one. My preferred hoop is a 5-inch spring hoop. It allows for a large enough area for stitching, is easy to put on/take off, and is small for travelling (when I get most of my stitching done).



You’ll also notice that I put it on upside-down. By using it this way, my hands are mostly holding on to the hoop and not touching the top of the fabric, so the fabric is less likely to get soiled if I have lotion or something on my hands. There is also nothing underneath for my thread to get caught on. Since I am right-handed, the spring handles are positioned in the 11:00 position. If you are left-handed, position them in the 1:00 position.

7. Thread many needles at one time. This is probably obvious to most people, but I had to learn it for myself. When I first learned to do counted cross stitch (in about 1982), someone gave me a needle. I had a variety of floss skeins that had been passed down to me, so I would thread the one needle I had, stitch with one color until it was time to use a different color, pull out the old thread and rethread the needle with a different color, and repeat throughout the project. The result was lots of pieces of thread that I needed to keep track of until I needed that color again. I was probably mid-way through my second project when it dawned on me that needles were cheap and I could thread lots of them with all of the colors I needed for the project and not waste time threading/rethreading the needle whenever I needed to switch colors or even when I needed more of the same color. DUH!

8. Choose the right size needle for the project. If I’m stitching with 2 strands of floss, I typically use a #26 cross-stitch needle. If I’m stitching with 3 strands, I use a #24 needle. A few years ago I was introduced to the shorter, petite needles – and I love using them. It’s easy to eke out a couple more stitches from a length of floss, which is often just enough to keep from having to rethread a needle.

9. Don’t leave a project in the hoop when you aren’t stitching. If you do, you may stretch the fabric, damage existing stitches, or create creases.

10. Don’t skimp on fabric size. Admittedly I like to use up pieces of fabric for small projects. However, if the fabric is too small, I won’t be able to use my hoop. Or, when stitching close to the edge, some of the fabric won’t be caught in the hoop. Whenever possible, you’ll want your fabric to be 1-1/2 to 2 inches bigger all the way around the design area.

11. And lastly, don’t be afraid to do your own thing! If you love a design, but the colors just aren’t you, don’t hesitate to substitute colors you love. For example, La-D-Da’s design named “A – Z & Between” is on my list of projects to stitch. But lavender and pink simply won’t work in my house. So, I’ll be switching the colors to something that is more “me”. If you change colors, it’s important to select a color in the same value as the design – that is if you want a similar look, just in a different colorway.



I’d love to hear your tips and tricks for stitching. I’m sure there are many more that I haven’t yet discovered!

Saturday, February 6, 2010

Finished Busy Bees in the Breeze

I designed this little pattern earlier this week, and stitched it up.  Not sure how I'll finish it -- perhaps as a pin cushion since I'm doing BeckyBee's pin pillow swap.  But  it's so cute, I may keep this and stitch something else for the swap -- especially since I see a couple places I could have been a bit neater. The design area is 5.75 inches square, Weeks Dye Works flosses on 28-count linen.




Link to Free Cross Stitch Sampler Project

Rather than continue sending this pattern via e-mail, I've posted a PDF of the pattern for the Charity Never Faileth sampler. Please leave me a comment if you choose to download. Just click the image and it will take you to Google Docs for the file.


EDITED TO ADD WEEKS DYE WORKS FLOSS CONVERSION:
If you would prefer to use Weeks Dye Works floss instead of DMC, here is the conversion:

Instead of DMC 3830, use WDW Red Rocks
Instead of DMC 3833, use WDW Aztec Red
Instead of DMC 469, use WDW Moss
Instead of DMC  470, use WDW Olive
Instead of DMC 434, use WDW Havana 
Instead of DMC 310,  use WDW Charcoal
Instead of DMC 746, use WDW Whitewash
Instead of DMC 167, use WDW Palomino

No substitute for DMC 951 (flesh)

Note that the first 6 colors are also used in the Blackbird Designs pattern called "Their Song".  So if you like that palette, you should like this one as well.

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